Resonator

00:00 Resonator Spot.
00:28 Joe McPhee – Soprano-Echoplex Number One.
02:10 Jacques Beloeil – Coming to Terms.
06:10 Memotone – False Cobra.
07:48 Photosynthetic Beats – utricularia vulgaris, marais des pontins.
09:56 Enfants de 9 à 10 ans – Métallophone Basse, Xylophone, Batterie.
11:40 Ellen Zweig, David Weinstein – Act of Watching.
14:11 Modern Research in Sound and Vibration – Πρᾶξις (Praxis) A.
16:55 Jana Winderen – Du Petit Risoud aux Profondeurs du Lac de Joux.
21:05 Kara-Lis Coverdale & LXV – Tunnel Vision.
26:05 Graham Lambkin – Desert Loop.
28:13 Svitlana Nianio & Tom James Scott – Twilight Threads.
29:27 Jennifer Walshe – Giovanni Da Palestrina: Missa Papae Marcelli, Agnus Dei I.
31:05 Hugo Lioret – Artificial Biota 1.
33:11 Giuseppe Ielasi & Andrew Pekler – Yalta.
35:30 David Chesworth – The Unattended Serge Part 4.
38:44 Earl Sweatshirt – Old Friend.
39:46 Amy Cutler – Fog Tape.
41:42 Carl Stone – Kustaa.
44:33 Autechre – AE_LIVE_ATHENS_050722.
47:04 Ylia – El Único Adiós Posible.
50:50 Yann Novak – The Inevitability of Failure.
54:13 Ilia Belorukov – He Couldn’t See in the Darkness.
56:18 Aphex Twin – Blackbox Life Recorder 20 Ambient 760.

Joe McPhee.
Sound on Sound is a two-CD set of these previously unreleased solo recordings by Poughkeepsie, NY, multi-instrumentalist Joe McPhee, dating from 1968 to 1973. The extraordinary tracks document the very early years of McPhee’s tenor playing (he was intitally a trumpet player, though he was an absolute natural saxophonist) and his omnivorous interest in sound-making devices of all types (from drone organ to nagoya harp, by way of soprano sax and hand percussion).
https://joemcphee.bandcamp.com/album/sound-on-sound-2

Jacques Beloeil.
Jacques Beloeil has released a few eclectic albums on the label Entr’acte, which he co-founded with Allon Kaye. After a few years of publishing he decided to employ his time with music mastering.
https://jacquesbeloeil.bandcamp.com/album/exit

Memotone.
The self-taught multi-instrumentalist, producer, composer, and improvisation wizard serves up a full-length album exploring otherworldly textures, captivating harmonies, and abstract rhythms.
https://memotone.bandcamp.com/album/memotone-lp

Photosynthetic Beats.
With ‘photosynthetic beats — utricularia vulgaris, marais des pontins’, landscape sound artist and educator, Ludwig Berger shares the minute polyrhythms of aquatic plants’ photosynthesis.
https://f-o-m.bandcamp.com/album/photosynthetic-beats-utricularia-vulgaris-marais-des-pontins

Prends le temps d’écouter musique d’expression libre dans les classes Freinet (1962-1982)
France, early sixties: the Mouvement de l’École moderne is in full bloom. Relying on the experiments and writings of its founder, the educationist Célestin Freinet, this consortium of teachers is about to give empirical evidence proving that another approach to music in school can be fruitful, distancing itself from government directives.
https://lancepierre.bandcamp.com/album/prends-le-temps-decouter-musique-dexpression-libre-dans-les-classes-freinet-tape-music-sound-experiments-and-free-folk-songs-from-freinet-classes-1962-1982

Ellen Zweig, David Weinstein.
US poet Ellen Zweig combines experimental spoken word with ambient, fourth world minimalism for the first ever release of key 70s and 80s works Fiction of the Physical.
https://phantomlimblabel.bandcamp.com/album/fiction-of-the-physical

Modern Research in Sound and Vibration.
A dusty array of machine parts, appliances and objects found throughout the last five years by ivan papadopoulos in junk shops, scrap yards, flea markets, abandoned factories and car graveyards were circuit-bent and modified, dynamically shaping his concept of an ever-expanding laboratory comprised of eye-catching, sculpture-like sound-generating devices. Experimenting with those newly-developed instruments resulted in an abundance of unforeseen as much as unrepeatable sounds, and was captured into an extensive volume of recordings.
https://intersonikrecordings.bandcamp.com/album/electra

Jana Winderen.
Jana Winderen researches the hidden depths with the latest technology; her work reveals the complexity and strangeness of the unseen world beneath. The audio topography of the oceans and the depth of ice crevasses are brought to the surface.
https://janawinderen.bandcamp.com/album/the-blue-beyond

Kara-Lis Coverdale & LXV.
Sirens is the first collaborative LP of Kara-Lis Coverdale (Tim Hecker, L/B) and LXV (David Sutton). Following their respective solo cassette releases Aftertouches (2015) and Spectral Playmate (2014) on Sacred Phrases, Coverdale and LXV debut on Umor Rex with a collection of multi-textural and multi-source electronic music rich in narrative, melody, and spectral intrigue.
Inspired by the link between seduction and violence, Sirens comprises a series of timbrally vast anamorphic pieces that poise the voice as a newly imagined tool of multiplicity. Processes of sample manipulation, signal processing, routing, and source design inform instrumental writing and performance in feedback until intertwined, flickering between states of conflict and consonance. Apparitions of the schitzophrenic voice are at one moment fractured and cold and at the next full of warmth and vivaciousness, embodying velvet rituals of romanticism in the digital age.
https://umorrex.bandcamp.com/track/tunnel-vision

Graham Lambkin.
Graham Lambkin is a London based multidisciplinary artist
https://grahamlambkin.bandcamp.com/album/no-better-no-worse-vol-3-2

Svitlana Nianio & Tom James Scott.
Recorded in correspondence throughout a calamitous and uncertain 2020, “Eye of the Sea” is a collaborative record made by Tom James Scott of the United Kingdom and Svitlana Nianio of Ukraine. Active since the late 1980s, Nianio has released a treasure trove of diverse and beguiling music under her own name, as a member of the legendary Ukrainian experimental unit Cukor Bila Smerť, and in collaboration with the late musician and instrument maker Oleksandr Yurchenko. For his part, Scott has steadily published solo recordings since the mid aughts on labels such as Bo’Weavil, Students of Decay, and Where to Now?, and worked often in collaboration with kindred spirits like Andrew Chalk and Timo Van Lujik.
https://skiremusic.bandcamp.com/album/eye-of-the-sea

Jennifer Walshe.
Jennifer Walshe was born on June 1, 1974 in Dublin, Ireland. She has lived and worked in London for many years. She studied composition with John Maxwell Geddes at the Royal Scottish Academy of Music and Drama, with Kevin Volans in Dublin and completed her studies at Northwestern University, Chicago, in June 2002 with a doctorate in composition under Amnon Wolman and Michael Pisaro.
https://jenniferwalshe.bandcamp.com/album/a-late-anthology-of-early-music-vol-1-ancient-to-renaissance

Hugo Lioret.
Hugo Lioret is a sound artist based in Paris, France and Berlin, Germany.
He develops his artistic research through analysis, expression and transmission.
https://hugolioret.bandcamp.com/album/artificial-biota

Giuseppe Ielasi & Andrew Pekler.
‘Holiday For Sampler’ documents the barely-treated highlights of three days of improvising with their favoured tool, the sampler, burrowing wormholes through stacks of dusty vinyl loops and crackly surface hummus.
https://andrewpekler.bandcamp.com/album/holiday-for-sampler

David Chesworth.
Experimental, electronic, post-punk, minimal synth-pop, post-classical, field recordings, experimental opera.
https://davidchesworth.bandcamp.com/album/the-unattended-serge-five-evolutionary-things

Earl Sweatshirt.
Thebe Neruda Kgositsile (born February 24, 1994), also known by his stage name Earl Sweatshirt, is an American rapper, singer, songwriter, and record producer. Kgositsile was originally known by the moniker Sly Tendencies when he began rapping in 2008, but soon changed his name when Tyler, the Creator invited him to join his alternative hip hop collective Odd Future in late 2009.
https://www.earlsweatshirt.com/

Amy Cutler.
SISTER TIME is a tape-work collaboration between Cutler now and herself as a child. All cassette samples are from mixtapes originally made by the artist in the late nineties on her first Hi-Fi (bought with the prize money from winning a children’s drawing competition). Between vaporwave and a child’s hyper-focus on a looped chorus, the album draws on growing up as a girl listening to a canon of male singers, bearing their souls against the ills of time.
https://strategictapereserve.bandcamp.com/album/sister-time

Carl Stone.
Carl Stone is one of the pioneers of live computer music, and has been hailed by the Village Voice as “the king of sampling.” and “one of the best composers living in (the USA) today.” He has used computers in live performance since 1986. Stone was born in Los Angeles and now divides his time between Los Angeles and Japan.
https://carlstone.bandcamp.com/album/electronic-music-from-1972-2022

Autechre.
An English electronic music duo formed in 1987 in Rochdale, Greater Manchester, UK by Rob Brown and Sean Booth. Generally considered to be IDM in style, their music has incorporated a variety of genres and styles ranging from techno and hip hop to ambient, experimental electro, and musique concrète. Autechre use many different digital and analog synthesizers, samplers, and drum machines in their production. They are also heavily involved with the Gescom collective.
https://autechre.warp.net/release/407894-autechre-aeliveathens050722

Ylia.
Musician, sound designer and dj residing in Malaga, Spain.
https://ylia.bandcamp.com/album/ame-agaru

Yann Novak.
Yann Novak is an interdisciplinary artist and composer based in Los Angeles. His work is guided by his unique perspective as a queer autodidact. Informed by his partial color blindness and dyslexia, Novak uses sound and light to explore how these intangible materials can act as catalysts to focus our awareness on our own direct experience.
https://yannnovak.bandcamp.com/album/the-voice-of-theseus-2

Ilia Belorukov.
Ilia Belorukov is a musician from Saint-Petersburg, Russia. He works in the directions of improvised, noise and electroacoustic music. He’s a member of different projects with local and foreign musicians. He collaborates with artists who work in other musical directions (from hardcore and metal to academic contemporary music); with dancers and painters; with theater. Ilia practices an experimental approach of sound extraction on alto saxophone with objects, uses electronics and other instruments.
https://dasatapes.bandcamp.com/album/anyone-could-look-around

Aphex Twin.
UK electronic musician, born 18 August 1971 in Limerick, Ireland. In 1991 he co-founded the Rephlex label with Grant Wilson-Claridge. After having released a number of albums and EPs on Rephlex, Warp Records, and other labels under many aliases, he gained more and more success from the mid-1990s.
https://aphextwin.bandcamp.com/album/blackbox-life-recorder-21f-in-a-room7-f760