Audiosphere Sound Experimentation 1980 – 2020. Part 19.
Sound exhibition excerpts @ Museo Nacional Centro De Arte Reina Sofia; Madrid; Spain.
Curator, production and realisation by Francisco López.
Head of exhibition: Teresa Velázquez.
Exhibition coordination by Rafael García and Natalia Guaza.
“ Audiosphere synthesizes the wide territory of the huge, delocalized, underground, and multiform universe of social experimental audio.”
Francisco López.
By way of a selection of hundreds of sound works, Audiosphere. Sound Experimentation 1980-2020 looks to cover an historical and cultural void in terms of the recognition, exhibition and analysis of a key part of the recent changes that have taken place in the artistic conception of sound creation.
Conceived from a social perspective, and with the aim of revealing and providing context to reflect upon and discuss the techno-cultural changes that have occurred since the 1980’s, the exhibition will present the work of a broad number of experimental sound artists, hailing from all over the world, the majority unknown to the contemporary art spectator.
Audiosphere thus seeks to constitute a non-conceptual, large-scale contemporary art exhibition with no images or objects, underpinned solely by sound works and an exhibition design that facilitates experiential, profound and prolonged listening.
01. Eric Thielemans. A Snare is a Bell [fragment]. 10:01.
02. Erikm. Klein surface. 3:23.
03. Ernesto Coba Antequera. E’ira. 5:16.
04. Ernesto Diaz-Infante. Forgotten Opportunities. 4:15.
05. Ezequiel Menalled. Music For Six Electric Guitars [fragment]. 4:30.
06. Facialmess (Kenny Sanderson). Stalleybrass [fragment]. 5:15.
07. Fari Bradley. Stereo Mountains. 3:15.
08. Esther Bourdages. 02_2004_La Lune [fragment]. 4:36.
09. Esplendor Geométrico. El Acero del Partido [fragment]. 5:29.
10. Felix Kubin. Excuse Me, Too Many Segments. 2:52.
11. Félix Blume. Rumors From The Sea [fragment]. 5:08.
12. Fátima Miranda. El Principio del Fin [fragment]. 5:37.
