Outtakes uit M-G-M Musicals, aflevering V: de periode (1930-1983).
1. Adios Argentina (1930):
“Don’t fence me in” (Cole Porter). [Film werd nooit gemaakt. De song kwam later terecht in de films Hollywood Canteen (1944) en Don’t Fence Me In (1945).
Voc: Roy Rogers and The Sons of the Pioneers.
Kant B, track 1:
lp ‘Roy Rogers and The Sons of the Pioneers. The Republic Years Volume 1’. Varèse Sarabande STV 812812 (USA, 1984)
+
2. A Star is Born (1954):
“Green light ahead”. (Harold Arlen & Ira Gershwin).
Voc: Judy Kaye.
Track 13:
cd ‘Harold Arlen: “American Suite” plus songs from stage and screen’. Premier Recordings PRCD 1004 (USA, 1986)
+
3. Good Morning, Miss Dove! (1955):
“Goodmorning, Miss Dove!” (Leigh Harline).
Voc: onbekend. [Demo voor een, gesneuvelde, titelsong].
Track 10:
cd met ‘Black Widow’. Intrada Special Collection Volume 105 (USA, 2009)
+
4. Pal Joey (1957):
“My Funny Valentine” (Rodgers & Hart).
Voc: Rita Heyworth.
Kant A, track 4:
lp ‘The Rita Heyworth Collection’. Deja Vu DVLP 2-89 (I, 1987)
+
5. Voyage to the Bottom of the Sea (1961):
a. “Alternate Main Title (Demo)” (componist onbekend).
Voc: Bill Lee.
Track 15:
[Eerste poging afgewezen. Vervangen door:]
b. “Main Title Temporary” (Russell Faith).
Voc: Frankie Avalon.
Track 14:
c. “Main Title” (Russell Faith).
Voc: Frankie Avalon.
Track 1:
[Deze laatste was de definitieve versie]
cd Film Score Monthly FSM Vol. 4 No. 10 (USA, 2002)
+
6. The Comancheros (1961):
a. “Unused Title Song” (Tillman Franks).
Voc: Claude King.
Track 21:
b. “You Walked Away” (Elmer Bernstein).
Voc: Claude King.
Track 22:
cd Film Score Monthly FSM Vol.2 No.6 (USA, 2000)
+
7. The Man Who Shot Liberty Valance (1962):
“(The Man Who Shot) Liberty Valance”. (Burt Bacharach & Hal David).
Voc: Gene Pitney.
Track 11:
cd ‘Wand’rin’ Star’. Bear Family Records 16166 AR (D, 1999)
+
8. The Americanization of Emily (1964):
a + b. “Emily” (Johnny Mandel & Johnny Mercer). Voc: Chorus. M-G-M Studio Orchestra olv. Robert Armbruster.
Disc 1, tracks 1 + 15:
[De gezongen versie van het hoofdthema paste niet in de film]
3-cd set ‘A Johnny Mandel Trio’, Film Score Monthly FSM Vol. 12 No. 4 (USA, 2009)
+
9. How to Murder Your Wife (1965):
a + b. “How to murder your wife” en “Requiem for a bachelor” (Neal Hefti & Lillian Mattis).
Voc: onbekend. [Gezongen versies van de hoofdthema’s, alleen opgenomen voor de re-recording van de soundtrack-lp]
Disc 2, tracks 7 + 10:
2-cd Kritzerland KR 20013-3 (USA, 2009)
+
10. A Man Called Adam (1966):
“Someday sweetheart” (Benjamin & John Spikes, 1919).
Voc: Louis Armstrong. [Vocale versie niet gebruikt]
Track 4:
cd Retrograde Records FSM 80126-2 (USA, 2007)
+
11. Requiem per un Agente Segreto (1967):
a. “Don’t ever let me go (Alternate version)” (Piero Umiliani & L. De Domenico).
Voc: Lydia MacDonald.
Track 16:
[Alternatieve versie, vervangen door definitieve:]
b. “Don’t ever let me go (Main Titles Song)” (Piero Umiliani & L. De Domenico).
Voc: Lydia MacDonald.
Track 1:
cd GDM Music CD CLUB 7004 (I, 2001)
+
12. Midnight Cowboy (1969):
a. “Lady lady lay” (Bob Dylan).
Voc: Bob Dylan.
Kant A, track 5: [NB: niet A, 3!]
lp ‘Hard Rain’. CBS 86016 (NL, 1976)
[Ongebruikte titelsong. Vervangen door:]
b. “Everybody’s talkin’” (Fred Neil).
Voc: Nilsson.
Singletje, kant 1:
45rpm ‘Midnight Cowboy’. RCA 47-9544 (D, 1969)
+
13. War Games (1983):
a. “Edge of the world” (Arthur B. Rubinstein & Cynthia Morrow). [Songteksten ongebruikt. Bedoeld voor de aftiteling].
Voc: Girls Chorus.
Track 32:
b. “Edge of the world” (idem).
Voc: Yvonne Elliman.
Track 34:
c. Uiteindelijke End Credits-muziek. Instrumentaal.
Track 31:
cd Intrada Special Collection Volume 65 (USA, 2008)
