Composers: Jan Boerman | Mauricio Kagel
The electroacoustic works included in this program were composed within the chairs of Electroacoustic Composition I (Composition Degree) and Gesture and Sound Effects (Popular Music Degree) of the Faculty of Arts and Musical Sciences of the Pontificia Universidad Católica Argentina (UCA). Teacher: Graduate Sandra González.
1/ Félix Adrogué
Gesture and Sound Effects
En el Principio (Génesis) (2020)
2/ Juan Bautista Arambarri Torre
Electroacoustic Composition I
Anfibios (2020)
3/ Rosario Pilar Brunengo
Gesture and Sound Effects
rutina y recuerdos (2020)
4/ Nicole Hernández
Gesture and Sound Effects
el camino (2020)
5/ Vanesa Belén Severin
Gesture and Sound Effects
Paradojas (2020)
6/ Rodrigo Jara
Gesture and Sound Effects
Nocturno (2020)
7/ Dino Perez
Gesture and Sound Effects
En un lugar del espacio (2020)
8/ Diego Pisano
Electroacoustic Composition I
“Misticismo cromático postwagneriano”* (2020)
*Quote from the book “La música del S. XX” (Eric Salzman, 1967)
To close down this hour of Argentian electroacoustic music:
9/ Mauricio Kagel: Transición I (1958) Excerpt
PONTIFICAL UNIVERSIDAD CATÓLICA ARGENTINA “Santa María de los Buenos Aires” Ph.D. Miguel Ángel Schiavone Rector
FACULTY OF ARTS AND MUSICAL SCIENCES Graduate Ezequiel Hernán Pazos Dean
DEGREES
Licensed at
o Composition
o Orchestral Direction
o Film Music
o Popular Music
o Piano
POSTGRADUATE
Ph.D. in Music, Composition and Musicology areas
