Episode 1269. In this new Bachweek, we continue our exploration of the cantatas in chronological order. We’ve now reached the cantatas Bach composed in the late summer and autumn of 1724. Kicking off this segment is the cantata “Was Gott tut, das ist wohlgetan” II, BWV 99, which Bach wrote for the 15th Sunday after Trinity on 17 September 1724.
Johann Sebastian Bach (1685-1750)
1. Cantata “Was Gott tut, das ist wohlgetan” II, BWV 99
– Was Gott tut, das ist wohlgetan
– Recitative. Sein Wort der Wahrheit stehet fest
– Aria. Erschuttre dich nur nicht, verzagte Seele
– Recitative. Nun, der von Ewigkeit geschloss’ne Bund
– Duet Aria. Wenn des Kreuzes Bitterkeiten
– Chorale. Was Gott tut, das ist wohlgetan
Julia Neumann, soprano. Claude Eichenberger, alto. Johannes Kaleschke, tenor. Fabrice Hayoz, bass. Choir and orchestra of the J.S. Bach Foundation conducted by Rudolf Lutz
Read more about cantata BWV 99 here.
2. Partita no. 3 in a minor, BWV 827
– I Fantasia
– II Allemande
– III Courante
– Sarabande
– V Burlesca
– VI Scherzo
– VII Gigue
Serra Tavsanli, piano
3. Sonate in C major, BWV 1005 (adapt. by Kersten McCall for traverso quartet)
– I Adagio
– II Fuga
– III Largo
– IV Allegro assai
Kersten McCall, Julie Moulin, Mariya Semotyuk and Maria Cristina Conzález, traverso
4. from: “Ich Habe Genug”, BWV 82
– Aria “Ich Habe Genug”
Miriam Feuersinger, soprano. Capricornus Consort Basel conducted by Peter Barczi
