The electroacoustic works and mixed media works included in this program were composed within the chairs of Gesture and Sound Effects (Popular Music Degree), Electroacoustic Composition I and Electroacoustic Composition II (Composition Degree) of the Faculty of Arts and Musical Sciences of the Pontificia Universidad Católica Argentina (UCA). Teacher: Graduate Sandra González.
01/ Azul Delgado
Gesture and Sound Effects
of time, space and water lilies (2020)
02/ Genaro Vignaroli
Electroacoustic Composition I
Períodos (2020)
03/ Giselle Lopez
Electroacoustic Composition I
Brueghel: El hombre y el clima (2020)
04/ Fabricio Robles
Gesture and Sound Effects
Ciclos (2020)
05/ Damián Mancuso
Gesture and Sound Effects
Contrapuesta de texturas (2020)
06/ Federico Bueno
Electroacoustic Composition I
Campanas (2020)
07/ Álvaro Almada
Gesture and Sound Effects
“La continuidad de los parques”* (2020)
*Títle of the story belonging to the book “El final del juego” (Cortázar, 1956).
08/ Aureliano Mosquera
Electroacoustic Composition II
Uaitenk (2020)
09/ Inés Sabatini, piano
Francisca Costa
Electroacoustic Composition II
Tiempos de incertidumbre (2020)
Inés Sabatini, piano
To close down this hour of Argentian electroacoustic music:
10/ Horacio Vaggione: NODAL (1997) Excerpt
PONTIFICAL UNIVERSIDAD CATÓLICA ARGENTINA
“Santa María de los Buenos Aires”
Ph.D. Miguel Ángel Schiavone
Rector
FACULTY OF ARTS AND MUSICAL SCIENCES
Graduate Ezequiel Hernán Pazos
Dean
DEGREES
Licensed at
o Composition
o Orchestral Direction
o Film Music
o Popular Music
o Piano
POSTGRADUATE
Ph.D. in Music, Composition and Musicology areas
www.uca.edu.ar
